Saturday, March 28, 2009
Responses for April 3
Whitney Chadwick, “Feminist Art in North American and Great Britain,” Chapter 12, Women, Art, and Society, 4th ed. (New York: Thames and Hudson, 2007), pp. 356-377.
Laura Mulvey, “Visual Pleasure and Narrative Cinema,” Screen 16: no. 3 (1975): 6-18.
Norma Broude, “Miriam Schapiro and ‘Femmage’: Reflections on the Conflict Between Decoration and Abstraction in Twentieth-Century Art,” in Feminism and Art History: Questioning the Litany, eds. Norma Broude and Mary Garrard (Boulder, CO: Westview Press, 1982), pp. 314-329.
Amelia Jones, “The ‘Sexual Politics’ of The Dinner Party: A Critical Context,” in Reclaiming Female Agency: Feminist Art History After Postmodernism, eds. Norma Broude and Mary Garrard (Berkeley: University of California Press, 2005), pp. 408-433.
Richard Meyer, “Hard Targets: Male Bodies, Feminist Art, and the Force of Censorship in the 1970s,” in WACK! Art and the Feminist Revolution, organized by Cornelia Butler (Cambridge, Mass.: MIT Press, for The Museum of Contemporary Art, Los Angeles, 2007), pp. 362-383.
Faith Wilding, “The Feminist Art Programs at Fresno and CalArts, 1970-75,” in The Power of Feminist Art: The American Movement of the 1970s, History and Impact, eds. Norma Broude and Mary D. Garrard (New York: Harry N. Abrams, 1994), pp. 32-47.